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Episode 25 - Dave Chick Talks About Mixing A Song For Moniker!

April 10, 2010 11:23 AM

Special Guest Dave Chick
From Insidehomerecording.com

This is episode 25 of The Metal Shop Podcast! In this episode, Dave Chick from Inside Home Recording stops by to deliver a segment about a mixing project he recieved from Vancouver's Moniker. Dave got the chance to mix the song "You're Mine" from the band, and put together this segment about the mixing process.

Check out Moniker on Myspace:
http://www.myspace.com/bandmoniker

Referenced in this episode......

The Dark Nintendo Night:

Pink Floyd's Dark Side Of The Moon remade as NES Music:

Get all the tracks here!

Check out "Money"

Metallica - Smooth Jazz Version Of Enter Sandman:

Enjoy the show? If you like it, write Brandon at metalshoppodcast@yahoo.com and Neil at neil@neilmcdougall.com, or check out the show on myspace at myspace.com/metalshoppodcast. Don't forget to check out the Youtube channel at youtube.com/metalshoppodcast! And you can now keep up with the hosts by reading the Metal Shop Blog at metalshoppodcast.blogspot.com! The Metal Shop is now on Facebook as well, so click here to check us out on facebook!

[The song "You're Mine" was written and performed by members of Moniker from Vancouver, British Columbia. With the exception of "You're Mine", and audio clips of "Metallica - Enter Sandman (Smooth Jazz Version)" and "8-bit Money", all other music in this episode was original music that Brandon and Neil had a hand in writing and recording. The music bed at the beginning and end of the show was created specifically for this podcast]

[Download Mp3]


Episode 24 - Steven Slate Drums Sale, Storm King Mixes, and MUCH more!

February 27, 2010 08:48 AM

Audiomidi.com No-Brainer Deal!

This is episode 24 of The Metal Shop Podcast! In this episode, Brandon and Neil discuss an awesome deal on Steven Slate Drums. We play the Storm King mixes recieved thus far. Neil talks about some of his music related iPhone apps. Brandon talks about several upgrades he's made to his studio, and a little bit about his recording operation in Denver.

Don't forget that Storm King were awesome enough to donate the multi-track files for their song "The Death Equation" for you listeners to download and mix. Send your finished mixes in to The Metal Shop via email to metalshoppodcast@yahoo.com and they will be played on the show! Download the files in .WAV or High Quality .MP3 formats below! Individual mixes will be played in full in future episodes. In this episode, we decided to cross fade between the mixes recieved thus far to show the differences. You can download the files below!

  • The Death Equation - .WAV files
  • The Death Equation - High Quality .MP3 files

    Referenced in this episode......

    The 88's video of recording on iphone:

    Warp Factor Pedal Video Embed:

    Mount Evans - http://www.mountevans.com/

    Pikes Peak International Hill Climb - http://en.wikipedia.org/wiki/Pikes_Peak_International_Hill_Climb

    Steel Panther Video - "Death To All But Metal":

    Enjoy the show? If you like it, write Brandon at metalshoppodcast@yahoo.com and Neil at neil@neilmcdougall.com, or check out the show on myspace at myspace.com/metalshoppodcast. Don't forget to check out the Youtube channel at youtube.com/metalshoppodcast! And you can now keep up with the hosts by reading the Metal Shop Blog at http://metalshoppodcast.blogspot.com! The Metal Shop is now on Facebook as well, so click here to check us out on facebook!

    [All music in this episode was original music that Brandon and Neil had a hand in writing and recording. The music bed at the beginning and end of the show was created specifically for this podcast]

    [Download Mp3]


    Episode 23 - Interview with Dave Piatek about recording Storm King, and a review of Dream Theater's newest Producer Edition release

    August 11, 2009 5:52PM

    Dave Piatek
    Dave Piatek Recording

    Storm King's New LP Angels Of Enmity
    Storm King's New LP "Angels Of Enmity"

    This is episode 23 of The Metal Shop Podcast! In this episode, Brandon talks with Dave Piatek about the recording process for Storm King's new LP, "Angels Of Enmity". Storm King were awesome enough to donate the multi-track files for their song "The Death Equation" for you listeners to download and mix. Send your finished mixes in to The Metal Shop via email to metalshoppodcast@yahoo.com and they will be played on the show! Download the files in .WAV or High Quality .MP3 formats below!

  • The Death Equation - .WAV files
  • The Death Equation - High Quality .MP3 files

    Also in this episode......

    Dream Theater's Producer Edition Box Set for the album Black Clouds And Silver Linings
    Dream Theater's New Box set
    Producer Edition Release of
    Black Clouds And Silver Linings

    Neil McDougall gives us his thoughts on the new Dream Theater Producer Edition release of their album "Black Clouds And Silver Linings", which gives stem mixes of the entire album, and is included in the "Deluxe Collectors Edition Box Set". Stay tuned at the end for an interesting mash-up using tracks from dream theater and.......well you'll have to listen won't you!

    TRIVIA
    No more trivia. Ever. It's been removed from the format. Thanks for playing.

    Enjoy the show? If you like it, write Brandon at metalshoppodcast@yahoo.com and Neil at neil@neilmcdougall.com, or check out the show on myspace at myspace.com/metalshoppodcast. Don't forget to check out the Youtube channel at youtube.com/metalshoppodcast! And you can now keep up with the hosts by reading the Metal Shop Blog at http://metalshoppodcast.blogspot.com! The Metal Shop is now on Facebook as well, so click here to check us out on facebook!

    [All music in this episode was original music that Brandon and Neil had a hand in writing and recording....with the exception of the bumper music for the Dave Piatek interview (which featured the song "The Death Equation" from Storm King), and the Mash-up at the end of the Dream Theater Producer Edition review (which featured tracks from the song "Wither" from Dream Theater). The bumper music for Neil's Dream Theater review was one of Neil's songs called "Empathy". The music bed at the beginning and end of the show was created specifically for this podcast]

    [Download Mp3]


    Episode 22 - RPM Challenge And NAMM

    February 2, 2009 3:03AM

    Neil McDougall is my special guest host for this episode
    Neil McDougall

    This is episode 22 of The Metal Shop Podcast! In this episode, guest host Neil McDougall talks about his plans for recording an album of songs for his new band as an entry into the RPM Challenge (http://www.rpmchallenge.com/), and discusses new and interesting metal-related gear from the 2009 Winter NAMM show.

    TRIVIA
    No trivia this week - the last trivia question was supposed to roll over to this episode, but it's going to be put on hold again til further notice.

    Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast. Don't forget to check out the Youtube channel at youtube.com/metalshoppodcast! And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at blog.myspace.com/metalshoppodcast! And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at metalshoppodcast.myfastforum.org/!

    [All music in this episode was original music that Brandon and Neil had a hand in writing and recording. The songs that Neil featured in the episode were written by the band he's in called Room 1. The songs were called "Forks & Knives" and "Sweet Rebellion", and were both recorded by Neil alone in his studio. The music bed at the beginning and end of the show was created specifically for this podcast]

    [Download Mp3]


    Episode 21 - Mic Shootout On Vocals

    September 13, 2008 6:08AM

    Neil McDougall is my special guest host for this episode
    Neil McDougall

    This is episode 20 of The Metal Shop Podcast! In this episode, special guest host Neil McDougall and I compare 10 different mics on vocals to see which of the 10 are the best buy. Links to buy the mics in the shootout are posted below:

    Audio-Technica AT2020 Large Diaphragm Condenser Microphone

    Audio-Technica AT2020 Large Diaphragm Condenser Microphone

    The Audio-Technica AT2020 Cardioid Condenser Microphone is the ideal mic for project and home studio applications. With a remarkably low price, cardioid pattern, and specs that put it in the big leagues, it features a custom-engineered, 16mm low-mass diaphragm and smooth 20Hz-20kHz frequency response. The AT2020's low self-noise is suited to digital recording, plus it has a high 144dB SPL handling. Requires phantom power.


    Audio-Technica ATM650 Hypercardioid Dynamic Instrument Microphone

    Audio-Technica ATM650 Hypercardioid Dynamic Instrument Microphone

    The ATM650 is a versatile addition to the Artist Series featuring a new multi-stage flat grille design for precise positioning close to the sound source. Equipped with a neodymium magnet for high-output performance, the ATM650 has a frequency response tailored for clear sound reproduction of guitar cabinets, snare and percussion. A-T's innovative dual-wall floating construction banishes handling noise.


    7

    Sennheiser e609 Silver Dynamic Guitar Microphone

    Sennheiser e609 Silver Dynamic Guitar Microphone

    The Sennheiser e609 Silver Dynamic Guitar Mic makes getting killer electric guitar sounds in your project studio or onstage a cinch. Its laterally mounted capsule can get extremely close to the speaker while the supercardioid pattern provides isolation from other signals. The lightweight voice-coil construction and rigid dome diaphragm provide extended high-frequency performance and a long-wearing capsule assembly. Also suitable for miking drums, especially toms. 40Hz-18kHz frequency response.


    Sennheiser evolution e906 Dynamic Guitar Amp Microphone

    Sennheiser evolution e906 Dynamic Guitar Amp Microphone

    The Sennheiser e906 instrument microphone was primarily designed for guitar amplifiers, but it is also an excellent choice for percussion and brass applications. It has a supercardioid polar pattern, a flat body shape, very fast response, a hum-compensating coil that minimizes self noise, and 3 selectable characters (Bright, Normal, and Smooth).


    Sennheiser e835 Performance Vocal Mic

    Sennheiser e835 Performance Vocal Mic

    The Sennheiser e835 Performance Vocal Mic is designed for lead vocal stage use, it has a uniform cardioid pickup pattern that maintains signal quality when moving on and off axis. Gentle presence boost evens tonal response to ensure clarity and projection. Minimal proximity effect for consistently clear bass as singer moves closer or farther from capsule. The Sennheiser e835 Performance Vocal Mic offers frequency response of 40Hz-16kHz.


    Sennheiser 935 Cardioid Dynamic Microphone

    Sennheiser 935 Cardioid Dynamic Microphone

    The Sennheiser 935 is a dynamic cardioid microphone that features a rugged metal body with advanced shockmount design that can take what the road dishes out for years of reliable service. Consistent on-/off-axis response minimizes feedback problems and makes performance easier. Hum-compensating coil reduces noise and allows for longer leads. Made in Germany. Includes carry pouch and mic clip.


    Shure KSM27 Studio Condenser Microphone

    Shure KSM27 Studio Condenser Microphone

    The Shure KSM27 Studio Microphone is a side-address condenser mic with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM27 has an externally biased, 1" ultrathin, gold-layered, low mass Mylar diaphragm to provide superior transient response. An extremely low self-noise level and selectable frequency response deliver superb recording fidelity no matter what the source. Requires phantom power.


    Shure SM7B Microphone with Switchable Response

    Shure SM7B Microphone with Switchable Response

    The flat, 50Hz-20kHz frequency response of the Shure SM7B Microphone with Switchable Response is designed especially for spoken vocals, but also works for singing. Highly shielded against electrical interference. Bass roll-off and mid-range emphasis (presence boost) controls with graphic display. Internal "air suspension" shock isolation. Ships with standard windscreen and an A7WS detachable windscreen for close-talk applications. Requires phantom power.


    Shure SM57 Instrument/Vocal Mic

    Shure SM57 Instrument/Vocal Mic

    One of the most popular professional instrument/vocal microphones of all time. This dynamic mic is a reliable, natural-sounding performer, night after night. Its durable, bulletproof design stands up to road travel and abuse. Perfectly at home in the studio too. Its wide frequency response (40Hz-15kHz) and tight cardioid polar pattern are ideal for close-in miking of speakers.


    Shure SM58 Mic

    Shure SM58 Mic

    Legendary for its uncanny ability to withstand abuse that would destroy any other microphone, the Shure SM58 has not only helped to define the sound of rock vocals on stage, it's also been used as a hammer to build stages and gone on to perform flawlessly later at the gig. Using a club's house system? You'll be singing through an SM58. And in the studio? Daniel Lanois always uses the SM58 or Beta58 on Bono's vocals. The Shure SM58 Mic is world-renowned for its distinctive upper-midrange presence peak that ensures an intelligible, lively sound. Perfectly fits the hand, balanced for total comfort during long gigs. Frequency response is a smooth, vocal-tailored 50Hz-15kHz, and the price is a bargain considering its life expectancy.


    TRIVIA
    No trivia this week - the last trivia question rolls over to Episode 22, due to Neil taking over the show while Brandon moves to Colorado - the full scoop on this is at the end of the episode.

    Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast. Don't forget to check out the Youtube channel at youtube.com/metalshoppodcast! And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at blog.myspace.com/metalshoppodcast! And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at metalshoppodcast.myfastforum.org/!

    [All music in this episode was original music that Brandon and Neil had a hand in writing and recording. The song at the beginning and end of the Mic Shootout Segment is called Sixty Tons and was recorded by Neil McDougall in February 2008. The music bed at the beginning and end of the show was created specifically for this podcast]

    [Download Mp3]


    Episode 20 - Mic Shootout On Acoustic Guitar

    June 24, 2008 12:00PM

    Neil McDougall is my special guest host for this episode
    Neil McDougall

    This is episode 20 of The Metal Shop Podcast! In this episode, special guest host Neil McDougall and I compare 10 different mics on acoustic guitar to see which of the 10 are the best buy. Links to buy the mics in the shootout are posted below:

    Audio-Technica AT2020 Large Diaphragm Condenser Microphone

    Audio-Technica AT2020 Large Diaphragm Condenser Microphone

    The Audio-Technica AT2020 Cardioid Condenser Microphone is the ideal mic for project and home studio applications. With a remarkably low price, cardioid pattern, and specs that put it in the big leagues, it features a custom-engineered, 16mm low-mass diaphragm and smooth 20Hz-20kHz frequency response. The AT2020's low self-noise is suited to digital recording, plus it has a high 144dB SPL handling. Requires phantom power.


    Audio-Technica ATM650 Hypercardioid Dynamic Instrument Microphone

    Audio-Technica ATM650 Hypercardioid Dynamic Instrument Microphone

    The ATM650 is a versatile addition to the Artist Series featuring a new multi-stage flat grille design for precise positioning close to the sound source. Equipped with a neodymium magnet for high-output performance, the ATM650 has a frequency response tailored for clear sound reproduction of guitar cabinets, snare and percussion. A-T's innovative dual-wall floating construction banishes handling noise.


    7

    Sennheiser e609 Silver Dynamic Guitar Microphone

    Sennheiser e609 Silver Dynamic Guitar Microphone

    The Sennheiser e609 Silver Dynamic Guitar Mic makes getting killer electric guitar sounds in your project studio or onstage a cinch. Its laterally mounted capsule can get extremely close to the speaker while the supercardioid pattern provides isolation from other signals. The lightweight voice-coil construction and rigid dome diaphragm provide extended high-frequency performance and a long-wearing capsule assembly. Also suitable for miking drums, especially toms. 40Hz-18kHz frequency response.


    Sennheiser evolution e906 Dynamic Guitar Amp Microphone

    Sennheiser evolution e906 Dynamic Guitar Amp Microphone

    The Sennheiser e906 instrument microphone was primarily designed for guitar amplifiers, but it is also an excellent choice for percussion and brass applications. It has a supercardioid polar pattern, a flat body shape, very fast response, a hum-compensating coil that minimizes self noise, and 3 selectable characters (Bright, Normal, and Smooth).


    Sennheiser e835 Performance Vocal Mic

    Sennheiser e835 Performance Vocal Mic

    The Sennheiser e835 Performance Vocal Mic is designed for lead vocal stage use, it has a uniform cardioid pickup pattern that maintains signal quality when moving on and off axis. Gentle presence boost evens tonal response to ensure clarity and projection. Minimal proximity effect for consistently clear bass as singer moves closer or farther from capsule. The Sennheiser e835 Performance Vocal Mic offers frequency response of 40Hz-16kHz.


    Sennheiser 935 Cardioid Dynamic Microphone

    Sennheiser 935 Cardioid Dynamic Microphone

    The Sennheiser 935 is a dynamic cardioid microphone that features a rugged metal body with advanced shockmount design that can take what the road dishes out for years of reliable service. Consistent on-/off-axis response minimizes feedback problems and makes performance easier. Hum-compensating coil reduces noise and allows for longer leads. Made in Germany. Includes carry pouch and mic clip.


    Shure KSM27 Studio Condenser Microphone

    Shure KSM27 Studio Condenser Microphone

    The Shure KSM27 Studio Microphone is a side-address condenser mic with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM27 has an externally biased, 1" ultrathin, gold-layered, low mass Mylar diaphragm to provide superior transient response. An extremely low self-noise level and selectable frequency response deliver superb recording fidelity no matter what the source. Requires phantom power.


    Shure SM7B Microphone with Switchable Response

    Shure SM7B Microphone with Switchable Response

    The flat, 50Hz-20kHz frequency response of the Shure SM7B Microphone with Switchable Response is designed especially for spoken vocals, but also works for singing. Highly shielded against electrical interference. Bass roll-off and mid-range emphasis (presence boost) controls with graphic display. Internal "air suspension" shock isolation. Ships with standard windscreen and an A7WS detachable windscreen for close-talk applications. Requires phantom power.


    Shure SM57 Instrument/Vocal Mic

    Shure SM57 Instrument/Vocal Mic

    One of the most popular professional instrument/vocal microphones of all time. This dynamic mic is a reliable, natural-sounding performer, night after night. Its durable, bulletproof design stands up to road travel and abuse. Perfectly at home in the studio too. Its wide frequency response (40Hz-15kHz) and tight cardioid polar pattern are ideal for close-in miking of speakers.


    Shure SM58 Mic

    Shure SM58 Mic

    Legendary for its uncanny ability to withstand abuse that would destroy any other microphone, the Shure SM58 has not only helped to define the sound of rock vocals on stage, it's also been used as a hammer to build stages and gone on to perform flawlessly later at the gig. Using a club's house system? You'll be singing through an SM58. And in the studio? Daniel Lanois always uses the SM58 or Beta58 on Bono's vocals. The Shure SM58 Mic is world-renowned for its distinctive upper-midrange presence peak that ensures an intelligible, lively sound. Perfectly fits the hand, balanced for total comfort during long gigs. Frequency response is a smooth, vocal-tailored 50Hz-15kHz, and the price is a bargain considering its life expectancy.


    TRIVIA
    No trivia this week - the last trivia question rolls over to Episode 22, due to Neil taking over the show while Brandon moves to Colorado - the full scoop on this is at the end of the episode.

    Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast. Don't forget to check out the Youtube channel at youtube.com/metalshoppodcast! And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at blog.myspace.com/metalshoppodcast! And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at metalshoppodcast.myfastforum.org/!

    [All music in this episode was original music that Brandon and Neil had a hand in writing and recording. The song at the beginning and end of the Mic Shootout Segment is called Sixty Tons and was recorded by Neil McDougall in February 2008. The music bed at the beginning and end of the show was created specifically for this podcast]

    [Download Mp3]


    Episode 19 - Mic Shootout On A Clean Guitar Amp

    June 5, 2008 4:36PM

    Neil McDougall is my special guest host for this episode
    Neil McDougall

    This is episode 19 of The Metal Shop Podcast! In this episode, special guest host Neil McDougall and I compare 10 different mics on a clean guitar amp to see which of the 10 are the best buy. Links to buy the mics in the shootout are posted below:

    Audio-Technica AT2020 Large Diaphragm Condenser Microphone

    Audio-Technica AT2020 Large Diaphragm Condenser Microphone

    The Audio-Technica AT2020 Cardioid Condenser Microphone is the ideal mic for project and home studio applications. With a remarkably low price, cardioid pattern, and specs that put it in the big leagues, it features a custom-engineered, 16mm low-mass diaphragm and smooth 20Hz-20kHz frequency response. The AT2020's low self-noise is suited to digital recording, plus it has a high 144dB SPL handling. Requires phantom power.


    Audio-Technica ATM650 Hypercardioid Dynamic Instrument Microphone

    Audio-Technica ATM650 Hypercardioid Dynamic Instrument Microphone

    The ATM650 is a versatile addition to the Artist Series featuring a new multi-stage flat grille design for precise positioning close to the sound source. Equipped with a neodymium magnet for high-output performance, the ATM650 has a frequency response tailored for clear sound reproduction of guitar cabinets, snare and percussion. A-T's innovative dual-wall floating construction banishes handling noise.


    Sennheiser e609 Silver Dynamic Guitar Microphone

    Sennheiser e609 Silver Dynamic Guitar Microphone

    The Sennheiser e609 Silver Dynamic Guitar Mic makes getting killer electric guitar sounds in your project studio or onstage a cinch. Its laterally mounted capsule can get extremely close to the speaker while the supercardioid pattern provides isolation from other signals. The lightweight voice-coil construction and rigid dome diaphragm provide extended high-frequency performance and a long-wearing capsule assembly. Also suitable for miking drums, especially toms. 40Hz-18kHz frequency response.


    Sennheiser evolution e906 Dynamic Guitar Amp Microphone

    Sennheiser evolution e906 Dynamic Guitar Amp Microphone

    The Sennheiser e906 instrument microphone was primarily designed for guitar amplifiers, but it is also an excellent choice for percussion and brass applications. It has a supercardioid polar pattern, a flat body shape, very fast response, a hum-compensating coil that minimizes self noise, and 3 selectable characters (Bright, Normal, and Smooth).


    Sennheiser e835 Performance Vocal Mic

    Sennheiser e835 Performance Vocal Mic

    The Sennheiser e835 Performance Vocal Mic is designed for lead vocal stage use, it has a uniform cardioid pickup pattern that maintains signal quality when moving on and off axis. Gentle presence boost evens tonal response to ensure clarity and projection. Minimal proximity effect for consistently clear bass as singer moves closer or farther from capsule. The Sennheiser e835 Performance Vocal Mic offers frequency response of 40Hz-16kHz.


    Sennheiser 935 Cardioid Dynamic Microphone

    Sennheiser 935 Cardioid Dynamic Microphone

    The Sennheiser 935 is a dynamic cardioid microphone that features a rugged metal body with advanced shockmount design that can take what the road dishes out for years of reliable service. Consistent on-/off-axis response minimizes feedback problems and makes performance easier. Hum-compensating coil reduces noise and allows for longer leads. Made in Germany. Includes carry pouch and mic clip.


    Shure KSM27 Studio Condenser Microphone

    Shure KSM27 Studio Condenser Microphone

    The Shure KSM27 Studio Microphone is a side-address condenser mic with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM27 has an externally biased, 1" ultrathin, gold-layered, low mass Mylar diaphragm to provide superior transient response. An extremely low self-noise level and selectable frequency response deliver superb recording fidelity no matter what the source. Requires phantom power.


    Shure SM7B Microphone with Switchable Response

    Shure SM7B Microphone with Switchable Response

    The flat, 50Hz-20kHz frequency response of the Shure SM7B Microphone with Switchable Response is designed especially for spoken vocals, but also works for singing. Highly shielded against electrical interference. Bass roll-off and mid-range emphasis (presence boost) controls with graphic display. Internal "air suspension" shock isolation. Ships with standard windscreen and an A7WS detachable windscreen for close-talk applications. Requires phantom power.


    Shure SM57 Instrument/Vocal Mic

    Shure SM57 Instrument/Vocal Mic

    One of the most popular professional instrument/vocal microphones of all time. This dynamic mic is a reliable, natural-sounding performer, night after night. Its durable, bulletproof design stands up to road travel and abuse. Perfectly at home in the studio too. Its wide frequency response (40Hz-15kHz) and tight cardioid polar pattern are ideal for close-in miking of speakers.


    Shure SM58 Mic

    Shure SM58 Mic

    Legendary for its uncanny ability to withstand abuse that would destroy any other microphone, the Shure SM58 has not only helped to define the sound of rock vocals on stage, it's also been used as a hammer to build stages and gone on to perform flawlessly later at the gig. Using a club's house system? You'll be singing through an SM58. And in the studio? Daniel Lanois always uses the SM58 or Beta58 on Bono's vocals. The Shure SM58 Mic is world-renowned for its distinctive upper-midrange presence peak that ensures an intelligible, lively sound. Perfectly fits the hand, balanced for total comfort during long gigs. Frequency response is a smooth, vocal-tailored 50Hz-15kHz, and the price is a bargain considering its life expectancy.


    LAST WEEK'S TRIVIA
    Last week's trivia question is: What kind of Snare Drum did Lars Ulrich choose for the recording of the Master Of Puppets Album?

    The correct answer is a Ludwig Black Beuty Snare that Lars borrowed off of the drummer for Def Leppard! No one got it right, so better luck next time guys!

    THIS WEEK'S TRIVIA
    This week's trivia question is: Which microphone was used for the entirety of the recording of Nirvana's Nevermind?

    Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast. Don't forget to check out the Youtube channel at youtube.com/metalshoppodcast! And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at blog.myspace.com/metalshoppodcast! And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at metalshoppodcast.myfastforum.org/!

    [All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording. The song at the beginning and end of the Mic Shootout Segment is called "Runaway" and was recorded by my band Day Nine. You can stream the entire song at Day Nine's Myspace Profile! The music bed at the beginning and end of the show was created specifically for this podcast]

    [Download Mp3]


    Episode 18 - Mic Shootout On A Distorted Guitar Amp

    April 30, 2008 10:25AM

    Neil McDougall is my special guest host for this episode
    Neil McDougall

    This is episode 18 of The Metal Shop Podcast! In this episode, special guest host Neil McDougall and I compare 10 different mics on a distorted guitar amp to see which of the 10 are the best buy. Links to buy the mics in the shootout are posted below:

    Audio-Technica AT2020 Large Diaphragm Condenser Microphone

    Audio-Technica AT2020 Large Diaphragm Condenser Microphone

    The Audio-Technica AT2020 Cardioid Condenser Microphone is the ideal mic for project and home studio applications. With a remarkably low price, cardioid pattern, and specs that put it in the big leagues, it features a custom-engineered, 16mm low-mass diaphragm and smooth 20Hz-20kHz frequency response. The AT2020's low self-noise is suited to digital recording, plus it has a high 144dB SPL handling. Requires phantom power.


    Audio-Technica ATM650 Hypercardioid Dynamic Instrument Microphone

    Audio-Technica ATM650 Hypercardioid Dynamic Instrument Microphone

    The ATM650 is a versatile addition to the Artist Series featuring a new multi-stage flat grille design for precise positioning close to the sound source. Equipped with a neodymium magnet for high-output performance, the ATM650 has a frequency response tailored for clear sound reproduction of guitar cabinets, snare and percussion. A-T's innovative dual-wall floating construction banishes handling noise.


    Sennheiser e609 Silver Dynamic Guitar Microphone

    Sennheiser e609 Silver Dynamic Guitar Microphone

    The Sennheiser e609 Silver Dynamic Guitar Mic makes getting killer electric guitar sounds in your project studio or onstage a cinch. Its laterally mounted capsule can get extremely close to the speaker while the supercardioid pattern provides isolation from other signals. The lightweight voice-coil construction and rigid dome diaphragm provide extended high-frequency performance and a long-wearing capsule assembly. Also suitable for miking drums, especially toms. 40Hz-18kHz frequency response.


    Sennheiser evolution e906 Dynamic Guitar Amp Microphone

    Sennheiser evolution e906 Dynamic Guitar Amp Microphone

    The Sennheiser e906 instrument microphone was primarily designed for guitar amplifiers, but it is also an excellent choice for percussion and brass applications. It has a supercardioid polar pattern, a flat body shape, very fast response, a hum-compensating coil that minimizes self noise, and 3 selectable characters (Bright, Normal, and Smooth).


    Sennheiser e835 Performance Vocal Mic

    Sennheiser e835 Performance Vocal Mic

    The Sennheiser e835 Performance Vocal Mic is designed for lead vocal stage use, it has a uniform cardioid pickup pattern that maintains signal quality when moving on and off axis. Gentle presence boost evens tonal response to ensure clarity and projection. Minimal proximity effect for consistently clear bass as singer moves closer or farther from capsule. The Sennheiser e835 Performance Vocal Mic offers frequency response of 40Hz-16kHz.


    Sennheiser 935 Cardioid Dynamic Microphone

    Sennheiser 935 Cardioid Dynamic Microphone

    The Sennheiser 935 is a dynamic cardioid microphone that features a rugged metal body with advanced shockmount design that can take what the road dishes out for years of reliable service. Consistent on-/off-axis response minimizes feedback problems and makes performance easier. Hum-compensating coil reduces noise and allows for longer leads. Made in Germany. Includes carry pouch and mic clip.


    Shure KSM27 Studio Condenser Microphone

    Shure KSM27 Studio Condenser Microphone

    The Shure KSM27 Studio Microphone is a side-address condenser mic with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM27 has an externally biased, 1" ultrathin, gold-layered, low mass Mylar diaphragm to provide superior transient response. An extremely low self-noise level and selectable frequency response deliver superb recording fidelity no matter what the source. Requires phantom power.


    Shure SM7B Microphone with Switchable Response

    Shure SM7B Microphone with Switchable Response

    The flat, 50Hz-20kHz frequency response of the Shure SM7B Microphone with Switchable Response is designed especially for spoken vocals, but also works for singing. Highly shielded against electrical interference. Bass roll-off and mid-range emphasis (presence boost) controls with graphic display. Internal "air suspension" shock isolation. Ships with standard windscreen and an A7WS detachable windscreen for close-talk applications. Requires phantom power.


    Shure SM57 Instrument/Vocal Mic

    Shure SM57 Instrument/Vocal Mic

    One of the most popular professional instrument/vocal microphones of all time. This dynamic mic is a reliable, natural-sounding performer, night after night. Its durable, bulletproof design stands up to road travel and abuse. Perfectly at home in the studio too. Its wide frequency response (40Hz-15kHz) and tight cardioid polar pattern are ideal for close-in miking of speakers.


    Shure SM58 Mic

    Shure SM58 Mic

    Legendary for its uncanny ability to withstand abuse that would destroy any other microphone, the Shure SM58 has not only helped to define the sound of rock vocals on stage, it's also been used as a hammer to build stages and gone on to perform flawlessly later at the gig. Using a club's house system? You'll be singing through an SM58. And in the studio? Daniel Lanois always uses the SM58 or Beta58 on Bono's vocals. The Shure SM58 Mic is world-renowned for its distinctive upper-midrange presence peak that ensures an intelligible, lively sound. Perfectly fits the hand, balanced for total comfort during long gigs. Frequency response is a smooth, vocal-tailored 50Hz-15kHz, and the price is a bargain considering its life expectancy.


    Neil brings with him this video review of the Zoom H4, which is what he used to record his end of the double ender. It's been added to the Gear section of the Youtube Channel.

    LAST WEEK'S TRIVIA
    Last week's trivia question is about Nirvana's debut album "Bleach". How much did the band shell out to record this album?

    The correct answer is $600.00! No one got it right, so better luck next time guys!

    THIS WEEK'S TRIVIA
    This week's trivia question is: What kind of Snare Drum did Lars Ulrich choose for the recording of the Master Of Puppets Album?

    Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast. Don't forget to check out the Youtube channel at youtube.com/metalshoppodcast! And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at blog.myspace.com/metalshoppodcast! And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at metalshoppodcast.myfastforum.org/!

    [All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording. The song at the beginning and end of the Mic Shootout Segment is called "Closer" and was recorded by my band Day Nine. You can stream the entire song at Day Nine's Myspace Profile! The music bed at the beginning and end of the show was created specifically for this podcast]

    [Download Mp3]


    Episode 17 - Interview With Scott Massie

    April 20, 2008 8:09AM

    Storm King frontman Scott Massie, who used to sing for BOTTOMFEEDER

    This is episode 17 of The Metal Shop Podcast! In this episode, I talk with Scott Massie, former frontman of Pittsburgh's BOTTOMFEEDER and current frontman of Pittsburgh's Storm King, about the recording sessions from Bottomfeeder's album "In The Name Of Love And Science". We talk about the challenges of recording two drummers on each song, studio screw-ups turned into magic, combining multiple vocalists on a song, and more.

    LAST WEEK'S TRIVIA
    Last week's trivia question is about Metallica. In the movie "A year and a half in the life of Metallica", Lars is laying down drum tracks when all of a sudden the drum goes out of tune. Lars gets angry and jabs his drum stick through the snare drum head. What song were they recording when this happened?

    The correct answer is "The Unforgiven". No one got it right, so better luck next time guys!

    THIS WEEK'S TRIVIA
    This week's trivia question is about Nirvana's debut album "Bleach". How much did the band shell out to record this album?

    Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast. Don't forget to check out the Youtube channel at youtube.com/metalshoppodcast! And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at blog.myspace.com/metalshoppodcast! And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at metalshoppodcast.myfastforum.org/!

    [All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording, except for all the music in the Scott Massie Interview. All music during that interview, including the music at the beginning and end of the interview, are various songs from Bottomfeeder's album "In The Name Of Love And Science". The music bed at the beginning and end of the show was created specifically for this podcast]

    [Download Mp3]


    Episode 16 - Review Of Lamb of God's Sacrament - Producer Edition

    March 12, 2008 7:45PM

    Order Lamb Of God's Sacrament - Producer Edition

    This is episode 16 of The Metal Shop Podcast! In this episode, I talk with Vic Mendoza of The VM Underground about my thoughts on Lamb Of God's "Sacrament - Producer Edition".

    Check out some other interviews
    from The VM Underground!

    LAST WEEK'S TRIVIA
    Last week's trivia question comes from Chris Mara. "Everyone looks at V/U Meters. What do the initials 'V/U' stand for?

    The correct answer is "Volume Units". Congrats to Neil McDougall for providing the correct answer, even if he did use Wikipedia! Since Neil already has my album, I played his show's promo in this episode.

    THIS WEEK'S TRIVIA
    This week's trivia question is about Metallica. In the movie "A year and a half in the life of Metallica", Lars is laying down drum tracks when all of a sudden the drum goes out of tune. Lars gets angry and jabs his drum stick through the snare drum head. What song were they recording when this happened?

    Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast. Don't forget to check out the Youtube channel at youtube.com/metalshoppodcast! And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at blog.myspace.com/metalshoppodcast! And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at metalshoppodcast.myfastforum.org/!

    [All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording, except for "Walk With Me In Hell" released byy Lamb Of God on the Sacrament - Producer Edition album, which is the song played at the end of the segment. The music bed at the beginning and end of the show was created specifically for this podcast]

    [Download Mp3]


    Episode 15 - Chris Mara Talks About Data Management

    March 7, 2008 9:28AM

    Chris Mara
    www.chrismara.com

    This is episode 15 of The Metal Shop Podcast! In this episode, I speak with Chris Mara about the dangers of not backing up your data.

    LAST WEEK'S TRIVIA
    Last week's trivia question is about Ozzy Ozzbourne. An effect in the song Suicide Solution from Ozzy Ozzbourne caused him a lot of problems when, In October 1984, a nineteen-year-old shot himself in the head while listening to the song. Upon evaluating the song, The Institute for Bio-Acoustics Research, Inc claimed to have found subliminal lyrics in the song encouraging people to kill themselves. This prompted lawsuits against Ozzy, claiming the lyrics prompted people to commit suicide. What is the message that IBAR claims Ozzy is delivering?

    The correct answer is in this video from youtube.

    I had several correct answers this week, but the first one in was from Unkle Bonehead. Since Unkle Bonehead has my album already, I played his show's promo in this episode.

    And don't forget to listen to The Unkle Bonehead Show!

    THIS WEEK'S TRIVIA
    This week's trivia question comes from Chris Mara. "Everyone looks at V/U Meters. What do the initials 'V/U' stand for?

    Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast. Don't forget to check out the Youtube channel at youtube.com/metalshoppodcast! And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at blog.myspace.com/metalshoppodcast! And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at metalshoppodcast.myfastforum.org/!

    [All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording, except for a short sample of "Suicide Solution" from Ozzy Ozzbourne for the trivia question. The song at the end of the episode is "You" from my album "Orphan". Check out my album at Brandonshire.net. The music bed at the beginning and end of the show was created specifically for this podcast]

    [Download Mp3]


    Episode 14 - Reverse Effects

    March 5, 2008 8:46PM

    This is episode 14 of The Metal Shop Podcast! In this episode, I explore using reversed audio to create some interesting effects.

    I mention the multi-track files from one of my bands songs being available in the shownotes. Get them here! Send me your mixes, and I'll play them!

    LAST WEEK'S TRIVIA
    Last week's trivia question is about Metallica. In the documentary "Some Kind Of Monster", james is talking about blowing his voice out on the black album. What song does he say he blew it out on?

    The correct answer is So What, an album B-Side. I had a correct answer from Mike Hickey this time, but since he's won before, I left the poll open. No one else submitted a correct answer to last week's question, so we move on. Don't forget that a winning answer gets you a copy of my solo album "Orphan".

    THIS WEEK'S TRIVIA
    This week's trivia question is about Ozzy Ozzbourne. An effect in the song Suicide Solution from Ozzy Ozzbourne caused him a lot of problems when, In October 1984, a nineteen-year-old shot himself in the head while listening to the song. Upon evaluating the song, The Institute for Bio-Acoustics Research, Inc claimed to have found subliminal lyrics in the song encouraging people to kill themselves. This prompted lawsuits against Ozzy, claiming the lyrics prompted people to commit suicide. What is the message that IBAR claims Ozzy is delivering?

    Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast. Don't forget to check out the Youtube channel at youtube.com/metalshoppodcast! And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at blog.myspace.com/metalshoppodcast! And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at metalshoppodcast.myfastforum.org/!

    [All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording, except for a short sample of an as yet untitled song from Neil McDougall, and a short audio sample of "Suicide Solution" from Ozzy Ozzbourne for the trivia question. Some audio excerpts from a session with Siddius were included in the Reverse Effects Segment. The song at the end of the episode is Crashing Down from my band "Day Nine", and the bumper music for the Reverse Effects segment is our song "Through The Fall". The music bed at the beginning and end of the show was created specifically for this podcast]

    [Download Mp3]


    Episode 13 - Neil McDougall's Review Of Line 6 Variax's Acoustic Modeling

    January 17, 2008 11:07AM

    This is episode 13 of The Metal Shop Podcast! In this episode, special guest Neil McDougall gives a review of the Line 6 Variax's acoustic guitar modeling capabilities.

    LAST WEEK'S TRIVIA
    Last week's question is about the recording of Nirvana's "Bleach" album. How many tracks were available in the studio that they recorded the album in during the 1992 recording sessions?

    The correct answer is that it was recorded on an 8 track machine. All the drums, guitars bass, and vocals on that album were done using only 8 tracks. No one submitted a correct answer to last week's question, so we move on. Don't forget that a winning answer gets you a copy of my solo album "Orphan".

    THIS WEEK'S TRIVIA
    This week's trivia question is about Metallica (yet again, what can I say, I love them!) In the documentary "Some Kind Of Monster", james is talking about blowing his voice out on the black album. What song does he say he blew it out on?

    Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast. Don't forget to check out the Youtube channel at youtube.com/metalshoppodcast! And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at blog.myspace.com/metalshoppodcast! And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at metalshoppodcast.myfastforum.org/!

    [All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording, except for the bumper music to the Line 6 Variax review, which is a song called "See Me" from Neil McDougall. The same song is played in full at the end of the episode. The music bed at the beginning and end of the show was created specifically for this podcast]

    [Download Mp3]


    Episode 12 - Recording Acoustic Guitar 101

    January 05, 2008 1:30AM

    This is episode 12 of The Metal Shop Podcast! In this episode, I explore various ways of recording acoustic guitar.

    LAST WEEK'S TRIVIA
    The trivia question for this episode asked; "How did Guns And Roses get the fornicating sound effects on Rocket Queen?"

    The correct answer is that it was a recording of Axl Rose and drummer Steven Adler's girlfriend doing it in a vocal booth. Congrats to Scott Walton for having the right answer. Scott wins a copy of my solo album "Orphan".

    THIS WEEK'S TRIVIA
    This week's question is about the recording of Nirvana's "Bleach" album. How many tracks were available in the studio that they recorded the album in during the 1992 recording sessions?

    Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast. Don't forget to check out the Youtube channel at youtube.com/metalshoppodcast! And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at blog.myspace.com/metalshoppodcast! And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at metalshoppodcast.myfastforum.org/!

    [All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording. The music bed at the beginning and end of the show was created specifically for this podcast, while the music bed at the beginning and end of the Recording Acoustic Guitars 101 segment is a song called Karen, and was recorded by me at OU's multi-track lab in 2003-2004!]

    [Download Mp3]


    Sit Tight, And Happy Holidays

    December 7th, 2007 12:26AM

    I just wanted to update everyone on what's going on with the show right now. It's not slipping into podfade, but as I said in the previous episode, I need to take care of some personal things before I start on the next one. So I've posted a short audio file talking about a few of those things, and asking everyone to sit tight. Have a happy holiday season, whatever your beliefs are.

    [Download Mp3]


    Episode 11 - Rick Shriver Interview Pt. 3!

    November 4, 2007 3:45AM

    Professor Rick Shriver
    Professor Rick Shriver

    This is episode 11 of The Metal Shop Podcast! In this episode, I talk with Professor Rick Shriver about the meshing of multi-media with traditional media, as well as the advances in the media program at Ohio University's Zanesville Campus. Rick Shriver is my former professor at Ohio University's Zanesville branch campus, and is the head of the Electronic Media Department.

    LAST WEEK'S TRIVIA
    The trivia question for this episode asked; "What instrument made the warbly sci-fi sound effect at the end of Monster Magnet's Space Lord single?"

    The correct answer is an instrument called The Theremin. Congrats to Mike Hickey for having the right answer. Mike wins a copy of my solo album "Orphan".

    Here's a video clip demonstrating the Theremin, for those unfamiliar.

    THIS WEEK'S TRIVIA
    This week's question comes to us courtesy of Neil O Mac from Neil-O-Mac's Music Attack! Neil asks "During the song Rocket Queen from Guns N Roses, there's the sound of two people fornicating near the end of the song. How did those sounds get recorded?

    Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast. Don't forget to check out the Youtube channel at youtube.com/metalshoppodcast! And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at blog.myspace.com/metalshoppodcast! And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at metalshoppodcast.myfastforum.org/!

    [All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording. The music bed at the beginning and end of the show was created specifically for this podcast, while the music bed at the beginning and end of the Rick Shriver Interview is a song called Dirty, and was recorded by me at OU's multi-track lab in 2003-2004!]

    [Download Mp3]


    Episode 10 - Rick Shriver Interview Pt. 2, Plus Trivia Prize Announcement!

    October 26, 2007 10:16PM

    Professor Rick Shriver
    Professor Rick Shriver

    This is episode 10 of The Metal Shop Podcast! In this episode, I talk with Professor Rick Shriver about studio overkill, portable recording, and more! Rick Shriver is my former professor at Ohio University's Zanesville branch campus, and is the head of the Electronic Media Department.

    TRIVIA PRIZE ANNOUNCEMENT:
    I've decided on a prize for the trivia questions in the show! The winners will now recieve a digital copy of my Solo Album! Check out my web site to preview the entire album!

    Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast. Don't forget to check out the Youtube channel at youtube.com/metalshoppodcast! And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at blog.myspace.com/metalshoppodcast! And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at metalshoppodcast.myfastforum.org/!

    [All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording. The music bed at the beginning and end of the show was created specifically for this podcast, while the music bed at the beginning and end of the Rick Shriver Interview is a song called Blinded, and was recorded by me at OU's multi-track lab in 2003-2004!]

    [Download Mp3]


    Episode 9 - Rick Shriver Interview Pt. 1, Plus Pandora Mixes!

    October 18, 2007 01:13PM

    Professor Rick Shriver
    Professor Rick Shriver

    This is episode 9 of The Metal Shop Podcast! In this episode, I talk with Professor Rick Shriver about recording, podcasting, microphones, and Malaysia. Rick Shriver is my former professor at Ohio University's Zanesville branch campus, and is the head of the Electronic Media Department.

    Rick mentions samples of Malay instruments that he recorded while spending a year in Malaysia. He's offering the recordings up to you for use as samples, or whatever else you can come up with. He asks that if you use them, please give him credit and please write to me at metalshoppodcast@yahoo.com to let he and I know about it. We'd like to hear it after all!

    - Click here to go to Rick's website and download the sampled audio! - The audio doesn't play in Firefox on my PC, so if you have problems, try Internet Explorer. They worked there for me.

    Rick sent me this picture of the mic he's using in his home studio.

    We also hear from Uncle Bonehead, who has submitted 4 mixes of Pandora. He tells us how he did it and what he used in an audio comment! You'll only hear snippits of the mixes in the show, so check out this flash player to hear all 4 mixes from start to finish!

    And don't forget to listen to The Unkle Bonehead Show!


    Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast. Don't forget to check out the Youtube channel at youtube.com/metalshoppodcast! And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at blog.myspace.com/metalshoppodcast! And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at metalshoppodcast.myfastforum.org/!

    [All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording. The music bed at the beginning and end of the show was created specifically for this podcast, while the music bed at the beginning and end of the Rick Shriver Interview is a song called Hiding, and was recorded by my band Day Nine in 2006 at Audition Studios in Circleville Ohio!]

    [Download Mp3]


    Episode 8 - Comparing the SM57 and the PG57, with Special Guest Host "Big Al" Wagner from PSN!

    September 18, 2007 01:23AM

    This is episode 8 of The Metal Shop Podcast! This episode features a comparison of the Shure SM57 and the cheaper Shure PG57. On this episode, PSN's Big Al Wagner joins in the conversation to give his perspective on the mics, and HRO's Dave Criddle gives us a soundbite with his take on how these mics stack up to one another!

    (Left - SM57 | Right - PG57)
    SM57PG57

    This segment is being simul-podcast on the Project Studio Network.

    Want to hear the audio samples uncompressed so you can decide for yourself which mic you like better? I've put them in a zipped folder on my server, and you can download them here!

    The banter at the beginning and end of the show was recorded using the Sennheiser E935 that is on loan to me from Sennheiser. Interested in buying any of these mics? Use these links to order from MusiciansFriend.com!

  • Shure SM57 Instrument/Vocal Mic
  • Shure PG57-XLR Instrument Microphone
  • Sennheiser 935 Cardioid Dynamic Microphone

    Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast. Don't forget to check out the Youtube channel at youtube.com/metalshoppodcast! And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at blog.myspace.com/metalshoppodcast! And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at metalshoppodcast.myfastforum.org/!

    [All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording. The music bed at the beginning and end of the show was created specifically for this podcast, while the music bed at the beginning and end of the SM/PG comparison is a song called Slipping Away, and was recorded by me in 2004 at Ohio University's Zanesville campus multi-track lab. The song is available on my website brandonshire.net to preview for free or to purchase!]

    [Download Mp3]


    Episode 7 - Are the SM57 and the SM58 really the same microphone?

    September 13, 2007 01:55PM

    This is episode 7 of The Metal Shop Podcast! In this episode, I do a comparison between the Shure SM57 and the Shure SM58. I've heard people say that they are essentially the same microphone, and I tackle that by talking about their similarities and differences. I used another Shure mic, the SM7B, to record the beginning and end segments of this episode!

    Interested in buying these mics? Use these links to order from MusiciansFriend.com!

  • Shure SM57 Instrument/Vocal Mic
  • Shure SM58 Mic
  • Shure SM7B Microphone with Switchable Response

    Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast. Don't forget to check out the Youtube channel at youtube.com/metalshoppodcast! And you can now keep up with my daily behind the scenes activities by reading the Metal Shop Myspace Blog at blog.myspace.com/metalshoppodcast! And finally, you can discuss all things Metal(shop) over at the Metal Shop Forum, which is over at metalshoppodcast.myfastforum.org/!

    [All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording. The music bed at the beginning and end of the show was created specifically for this podcast, while the music bed at the beginning and end of the Shure comparison segment is a song called Pullout, and was recorded in 2001 by a former line-up of my band Day Nine. If you like the track, you can download it by clicking here. Check out the old band at http://myspace.com/daynineportsmouth.]

    [Download Mp3]


    Episode 6 - Review Of The Pandora PX4D Amp Modeler

    August 05, 2007 01:25PM
    Click here to buy the Pandora PX4D!
    ToneWorks Pandora PX4D Personal Multi-Effect Processor

    This is episode 6 of The Metal Shop Podcast! In this episode, I do an in-depth review of the Pandora PX4D amp modeler from Korg! I recorded a song called "Pandora" while I had my hands on this modeler, and I'm giving you all the multi-track files from the song so you can take a crack at mixing it. The files are in .WAV and hi-quality .MP3 Formats. Here are the links to the zipped files holding the multi-track files!

    MP3 - Click here to download

    WAV - Click here to download

    I also give you my custom settings for the PX4D so that any of you who own this unit can toy around with my sounds. You can find them in the Metal Shop Forum, which I've just launched! Check out the forum!

    No one got the trivia question from the last episode correct, so we move on to yet another question. Tune in to hear it, and write me at metalshoppodcast@yahoo.com if you think you know the answer.

    Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast. Don't forget to check out the new Youtube channel at youtube.com/metalshoppodcast!

    [All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording. The music bed at the beginning and end of the show was created specifically for this podcast, while the music bed at the beginning and end of the Pandora PX4D review was recorded using the Pandora PX4D for this episode, and I've called it Pandora. This episode also features very short clips of "Redemption" and "Storm Winds" from Shadows Fall, and "Nemisis" from Arch Enemy.]

    [Download Mp3]


    Episode 5 - Choosing The Right Mic For The Job, And My Driver Issues

    July 17, 2007 09:28PMBrandon S. Hire behind the controls at Ohio University in 2004!

    This is the long awaited episode 5 of The Metal Shop Podcast! In this episode, I talk about microphone frequency response, and trying out various mics to find the right one for the job. I compare 4 mics that I own, and show the different tones you can get with them.

    Congrats to Tony Phillips for getting the trivia question correct last time. There's a whole new question in this episode! Think you know the answer, email it to metalshoppodcast@yahoo.com!

    Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast. Don't forget to check out the new Youtube channel at youtube.com/metalshoppodcast!

    [All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording. The music bed at the beginning and end of the show was created specifically for this podcast, while the music bed at the beginning and end of the Right Mic For The Job segment is a song called Inside Of You, and was recorded in 2001 by a former line-up of my band Day Nine. If you like the track, you can download it by going to http://myspace.com/daynineportsmouth. It should be noted that the song has been updated by the current line-up of Day Nine, and will be on our upcoming album.]

    [Download Mp3]


    A Warning About Episode #5

    July 17, 2007 09:09PMDAMN COMPUTERS!

    This is just a little warning about Episode #5.

    Due to some driver issues I'm having with my PC, I've had some difficulty getting episode 5 out to you. First audio files wouldn't play longer than 10 seconds, then they would play but would sound like a CD skipping. The second problem is still there, which made mixing episode 5 a real treat, but at least it seemed that the audio I was recording into the PC was unaffected.....of course until I listened back to episode 5.

    There's some cracking and popping that I can't get rid of, so bear with me cause it's not all that bad. Trust me, it's 1000 times worse on the production end of it, you guys got off easy!

    So I'm going to have to re-install windows to see if this fixes the problem. That sounds like a lot of fun, let me tell you! I'll keep you updated on that in future episodes. In the mean time, until I can get everything together to re-install, I'll do what I can with what I have. Enjoy episode 5.

    [Download Mp3]


    Episode 4 - Vocal Recording 101

    June 19, 2007 06:48PMBrandon S. Hire - Vocals

    This is episode 4 of The Metal Shop Podcast! In this episode, I go back to basics with my Vocal Recording 101 segment. I discuss things like Ambient micing, Close micing, Plosives, Sibilance, and proximity effect.

    This is also the first episode to feature a trivia question. The trivia question is at the end of the show. Think you know the answer, email it to metalshoppodcast@yahoo.com!

    Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast

    [All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording. The music bed at the beginning and end of the show was created specifically for this podcast, while the music bed at the beginning and end of the Vocal Recording 101 segment is a song called Memory, and was recorded in 2001 by a former line-up of my band Day Nine. If you like the track, you can download it by going to http://myspace.com/daynineportsmouth.

    [Download Mp3]


    Episode 3 - An Unusual Approach To Amp Modeling, And Remembering Aaron Roe

    June 05, 2007 07:45PM

    In this episode, I play back a segment I submitted to the Home Recording Odyssey podcast on an unusual approach to Amp Modeling.

    I also take a moment to pay respects to Suffer guitarist Aaron Roe, who died over the weekend. In this episode you'll hear Suffer's song Behind Enemy Lines.

    R.I.P. Aaron Roe

    Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast

    [The music bed at the beginning and end of the show was created specifically for this podcast, while the music bed at the beginning and end of the segment I submitted to the Home Recording Odyssey podcast was created specifically for my Music Industry Tips podcast. The music bumper leading into the Home Recording Odyssey segment was taken directly from the Home Recording Odyssey episode #34. The song Behind Enemy Lines was written and performed by the band Suffer, who you can check out at http://www.myspace.com/sufferrock.]

    [Download Mp3]


    Just a quick message between episodes 2 & 3

    May 30, 2007 11:55AM

    Just a little audio clip of why you won't find the Metal Shop page on iTunes for a few days. I submitted the feed URL from podomatic to iTunes, but I meant to submit an alternate feed URL that re-directed the feed to the podomatic page. This way, if I ever had to leave Podomatic, my subscribers wouldn't know the difference, nor would they have to re-subscribe. So, Itunes has deleted the Metal Shop page in their directory, allowing me to re-submit with the correct RSS feed url.

    [Download Mp3]


    Episode 2 - Interview With Producer Chris Mara, From Nashville TN

    May 29, 2007 05:15PM
    Chris Mara - http://www.chrismara.com

    This is the second episode of The Metal Shop Podcast, so thanks for coming back! In this episode, I interview producer Chris Mara, who is based in Nashville TN. We talk about how he got started in his recording career, and about his approach to recording. We also talk about his blanket, but it's not what you think. You'll have to hear it to know what I'm talking about. I assure you, it's memorable!

    Enjoy the show? If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast

    [All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording. The music bed at the beginning and end of the show was created specifically for this podcast, while the music bed at the beginning and end of the Chris Mara interview is a song called Distant Memory and is from my band Day Nine. If you like the track, and wanna take a crack at mixing it yourself, check out episode #37 of the Home Recording Odyssey podcast to find out how to get the song's files!]

    [Download Mp3]


    Episode 1 - Guitar Doubling, And Why I Started This Podcast

    May 24, 2007 06:40AM
    The Metal Shop Podcast - Episode 1

    This is the first episode of The Metal Shop Podcast, so thanks for coming to check it out. We talk a little about guitar doubling, and some of the great effects you can get using that technique.

    We also talk a little about why I started this podcast. My biggest inspiration for it is the Home Recording Odyssey podcast, which you will find at http://www.homestudio.com.au

    Enjoy the show. If you like it, write me at metalshoppodcast@yahoo.com, or check me out on myspace at myspace.com/metalshoppodcast

    [All music in this episode was original music that I, Brandon S. Hire, had a hand in writing and recording. The music bed at the beginning and end of the show was created specifically for this podcast, while the music bed at the beginning and end of the Guitar Doubling segment is a song called Dream, and was recorded in 2001 by a former line-up of my band Day Nine. If you like the track, you can download it by clicking here. Check out the old band at http://myspace.com/daynineportsmouth.]

    [Download Mp3]


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    Brandon S. Hire - Host Of The Metal Shop

    My name is Brandon S. Hire, your host for The Metal Shop Podcast! This podcast is for beginners, intermediates, and professionals who are producing rock and metal recordings! We share tips on how to get the best out of many different studio types, from the studio-in-a-box hobby studio to the ga-gillion dollars per hour studios.

    Here's a list of some of the topics I hope to cover on this podcast:

    • Interviews with producers
    • Guitar Doubling And Panning
    • Getting That Guitar Tone
    • Use The Right Amp For The Job
    • Bass Distortion
    • Modulation Effects
    • Keeping Your Vocalists Voice In Tact
    • How Do They Do That? (several segments)
    • Amp Micing Techniques
    • Bass Guitar, Direct or Mic'd?
    • Drum Micing Techniques
      - mic everything
      - mic just the tops
      - mic the ambience
    • Orchestration
    • Clean tones
    • Acoustic Music
    • Producer Tips:
      - Making A Part More Interesting
      - Keeping the vocalist comfortable
      - How to deal with an out of time drummer
    • Loops & Samples
    • Vocal Processing & Eq-ing
    • Guitar Processing & Eq-ing
    • Bass Processing & Eq-ing
    • Drum Processing & Eq-ing
    • Drum Mixing
    • Drum Machines
    • Mixing the song as a whole
    • Guerilla Soundproofing
    • Guitar amps vs. modelers
    • Free Plug-ins
    • Stompboxes vs. multi-fx units
    • The Right Mic For The Job
    • Recording Piano And Other Ambient Instruments
    • Mic Placement
    • Avoiding pops without a windscreen
    • How much gain do I need?
    • Keeping inactive strings quiet while recording
    • Side Chains And NIN
    • Vocal Recording Technique
    • Need big tone? Use big strings

    .....And More


    The Metal Shop Podcast is proud to be part of the Home Recording Network! Check out these other great podcast!

    HRN logoHome Recording Network Audio I/O Fundamentals of Dig. Audio Gearwire Crosstalk Home Made Hit Show Home Rec. Odyssey Inside Home Rec. Making Music w/OS X Metal Shop
    Music Pro Show Musicians' Cooler PodSqod Project Studio Ntwk. Record Better Audio Sine Language SonicState Sonic TALK Sounds Good TutorialDEPOT

     

     

    Recording Gear from MusiciansFriend.com

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